Author: studiobypines

  • Inside Rick Owens’ Minimalist Closet

    Inside Rick Owens’ Minimalist Closet

    In the latest episode of Vogue’s Objects of Affection series, Rick Owens discusses his Giacomo Balla chairs, his Owenscorp furniture, and the apartment’s pièce de résistance, an ancient Egyptian sarcophagus.

    Director: Filippo Castellano
    Director of Photography: Leonardo Castellano
    Editor: Robby Massey
    Supervising Producer: Jordin Rocchi
    Associate Director, Creative Development: Billie Porter
    Manager, Creative Development: Alexandra Gurvitch
    Director, Creative Development: Anna Page Nadin
    Production Company: Olympìque
    Executive Producer: Tommaso Fajdiga
    Producer: Silvia Fazio
    1st AC: Riccardo Virgili
    2nd AC: Greta Cadlolo
    Gaffer: Alessandro Gentili
    Audio: Paula Ferri Carazo
    Production Manager: Edith Pauccar
    Production Coordinator: Kit Fogarty
    Senior Director, Production Management: Tina Magnuson
    Post-Production Coordinator: Andrea Farr
    Post-Production Supervisor: Marco Glinbizzi
    Director of Content: Rahel Gebreyes
    VP, Digital Video Programming and Development: Joe Pickard

  • LuisaViaRoma x Unicef Capri Gala 2022

    LuisaViaRoma x Unicef Capri Gala 2022

    Held at the historic Certosa di San Giacomo and hosted by Jamie Foxx, the glittering bash featured a performance from Jennifer Lopez under the stars to help raise funds for UNICEF’s worldwide efforts.

    At the charity gala, LuisaViaRoma presented an artistic project highlighting Syrian refugees in Jordan created in collaboration with UNICEF Italia, and a live stream with UNICEF in Ukraine. New wars don’t cancel out the needs of those who have fled from past wars and still have no way home.

    Photography by Badboi.

  • Watch: The Trailer for Blonde

    Watch: The Trailer for Blonde

    Discover a life both known and unknown in this boldly imaginative film from Director Andrew Dominik that explores the complicated life of Hollywood icon Marilyn Monroe. Based on the novel of the same name by Joyce Carol Oates, Blonde, starring Ana de Armas as Marilyn Monroe, Adrien Brody, Bobby Cannavale, Xavier Samuel, and Julianne Nicholson premieres on Netflix, 28 September.

  • The Weeknd After Hours Nightmare

    The Weeknd After Hours Nightmare

    Prepare to enter the macabre mind of The Weeknd in this haunted house as he stalks your squad through the surreal nightmare of his After Hours music. A slasher carving a smile at an otherworldly rave. Bandaged maniacs performing extreme plastic surgery. A grotesque mannequin masquerade. His nightmare is now yours.

    A series of haunted houses will be featured as part of Halloween Horror Nights at Universal Orlando Resort and Universal Studios Hollywood this fall.

  • The pinnacle of Air Jordan championship game-worn collectibles are on exhibit for the first time ever

    The pinnacle of Air Jordan championship game-worn collectibles are on exhibit for the first time ever

    Six sneakers are being showcased in a once-in-a-lifetime exhibit at the National Sports Collectors Convention in Atlantic City, New Jersey, taking place now July 27-31, 2022. All of the sneakers are confirmed to have been work by Michael Jordan in the final games of the 1991, 1992, 1993, 1996, 1997 and 1998 NBA championships.

    Certified Sports Guaranty® (CSG®), a leading third-party sports card grading company, was entrusted to certify the authenticity and provenance of the sneakers in the Dynasty Collection.

    While the convention is fully sold out CSG will be announcing access to a virtual museum that displays the 6 game-worn collectibles and other exclusive content about the dynasty collection. For those interested tou can sign up for updates at CSG.

  • The Founding Father of Street Couture, Willi Smith

    The Founding Father of Street Couture, Willi Smith

    The founding father of streetwear, Willi Smith was the most high-profile black fashion designer of the 80s and influenced a generation, yet fashion history has largely forgotten him.

    Born in Philadelphia in 1948, he then went to Parsons School of Design on a scholarship in 1965 eventually leading him to an internship with famed couturier Arnold Scaasi. Under Scaasi’s guidance, Smith learned to create high-end tailored garments which he later recalled as “the clothes I didn’t want to make.” He founded Williwear in 1976 and by 1986 Williwear was grossing $25M USD a year.

    Smith utilized a simple mantra to explain WilliWear’s creative direction: “I don’t design clothes for the queen, but the people who wave at her as she goes by.”

    What really drove him wasn’t ambition but a sense of giving back to his community. What would make him proud was not when a movie star wore his clothes. He would burst with pride when he’d see black kids on the streets running around in his stuff or those black ladies at the bank wearing it to work.

    Though New York City inspired him, he wanted people everywhere to appreciate the culture and inspiration of the city. “Being black has a lot to do with my being a good designer. Most of these designers who have to run to Paris for color and fabric combinations should go to church on Sunday in Harlem. It’s all right there.” This philosophy went deep: He loved street culture and made clothes for people to wear on the street. His designs and the collection’s affordable pricing ensured WilliWear an edge unlike any other label of it’s day.

    WilliWear AW ‘83, dubbed “Street Couture,” was a prime moment for Smith, as it merged his past inspirations with the explosion of hip-hop. That year, Smith became the youngest-ever winner of the American Fashion Critics’ Award for Women’s Fashion. Smith also broke boundaries when it came to collaborating with artists and creatives.

    At the young age of 39 Smith died of pneumonia, complicated by the parasitic disease shigella, which he picked up during a work trip to buy fabric in India. Though at the time of his death, Williwear was making millions and the New York Daily News called him “the most successful black designer in fashion history”, he has now largely been forgotten. What would have happened if he had lived?