Sony’s four film The Beatles project reads less like a biopic and more like a cultural palimpsest history written, erased, and written over again. Four films, four lives, each orbiting the same flash of electricity that changed sound, youth, and longing forever. Under Sam Mendes’ direction, the band fractures into parallel myths: Harris Dickinson’s Lennon as sharp static, Paul Mescal’s McCartney as melodic gravity, Joseph Quinn’s Harrison drifting inward, Barry Keoghan’s Starr keeping time while the world spins. It’s Warhol repetition meeting Basquiat scrawl—fame as surface, humanity bleeding through the cracks. Captured through the lens of John Russo, the imagery feels immediate and unresolved, treating the band not as monuments, but as moments alive, unstable, and still echoing forward into April 2028.
by PINES STUDIOS
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